ZenPundit
Thursday, November 08, 2007
OPEN-SOURCE IN THE ANCIENT WORLD
One of the more significant developments in terms of creativity in the past decade has been the advance of open-source platforms that permit asynchronous but real-time, mass collaboration to occur. A phenomena that has been the subject of recent books like Frans Johansson's The Medici Effect and Wikinomics:How Mass Collaboration Changes Everything by Don Tapscott and Anthony Williams; or, become a functioning business model as with Ross Mayfield's Socialtext; or, a metaphor for the evolution of a new dynamic of warfare, as in John Robb's book, Brave New War. And nearly everyone with an ISP is familiar with Wikipedia and most have at least heard of Linux.
The open source concept is a very useful one because it has efficiency, in both the evolutionary and economic senses, adapting faster than closed, hierarchical, competitors and at lower transactional cost ( the price for these advantages is diminished control and focus). As with scale-free networks, it was the advent of the internet and the web that brought the potential of mass collaboration to the attention of economists and social scientists. But did mass collaboration on the cognitive level (the physical level is as old Stonehenge or the pyramids) only start with the information revolution ?
Probably not.
If we look back far enough in the history of great civilizations, you will find semi-mythological figures like Homer or Confucius to whom great, even foundational, works of cultural creativity are attributed. Intellects of a heroic scale who were philosophers and kings, lawgivers, prophets or poets and who produced works of timeless genius. Except that they may either not have existed or their works represent efforts of refinement by many generations of anonymous disciples ( eventually, scholars) who interpreted, polished, redacted and expanded on the teachings of the revered master.
This too was mass collaboration, over a much longer time scale and of a much more opaque character than Wikipedia. Scriptural works went through a similar process, whether it was the scribes of King James, or a medieval Ulemna favoring some teachings of the Hadith over others, or Jewish sages translating the Torah into Greek, despite occasional claims of divine inerrancy, most religious texts were shaped by a succession of human hands.
What the Web has done is to vastly accelerate and democratize the process of mass collaboration and render it more transparent than ever before.
One of the more significant developments in terms of creativity in the past decade has been the advance of open-source platforms that permit asynchronous but real-time, mass collaboration to occur. A phenomena that has been the subject of recent books like Frans Johansson's The Medici Effect and Wikinomics:How Mass Collaboration Changes Everything by Don Tapscott and Anthony Williams; or, become a functioning business model as with Ross Mayfield's Socialtext; or, a metaphor for the evolution of a new dynamic of warfare, as in John Robb's book, Brave New War. And nearly everyone with an ISP is familiar with Wikipedia and most have at least heard of Linux.
The open source concept is a very useful one because it has efficiency, in both the evolutionary and economic senses, adapting faster than closed, hierarchical, competitors and at lower transactional cost ( the price for these advantages is diminished control and focus). As with scale-free networks, it was the advent of the internet and the web that brought the potential of mass collaboration to the attention of economists and social scientists. But did mass collaboration on the cognitive level (the physical level is as old Stonehenge or the pyramids) only start with the information revolution ?
Probably not.
If we look back far enough in the history of great civilizations, you will find semi-mythological figures like Homer or Confucius to whom great, even foundational, works of cultural creativity are attributed. Intellects of a heroic scale who were philosophers and kings, lawgivers, prophets or poets and who produced works of timeless genius. Except that they may either not have existed or their works represent efforts of refinement by many generations of anonymous disciples ( eventually, scholars) who interpreted, polished, redacted and expanded on the teachings of the revered master.
This too was mass collaboration, over a much longer time scale and of a much more opaque character than Wikipedia. Scriptural works went through a similar process, whether it was the scribes of King James, or a medieval Ulemna favoring some teachings of the Hadith over others, or Jewish sages translating the Torah into Greek, despite occasional claims of divine inerrancy, most religious texts were shaped by a succession of human hands.
What the Web has done is to vastly accelerate and democratize the process of mass collaboration and render it more transparent than ever before.
Labels: ancient history, creativity, culture, tech, web 2.0, wikinomics
¶ 3:03 PM 5 comments
Friday, August 03, 2007
SOLZHENITSYN AND HIS BATTLE FOR RUSSIA'S SOUL
Der Spiegel recently had an interview with Aleksandr Solzhenitsyn ( hat tip to M. Gemmill). At 88, Solzhenitsyn has lost neither his mental acuity nor his uncompromising vision of Russia that made him the most feared of dissidents by Soviet leaders, until his expulsion from the USSR in 1974, four years after being awarded the Nobel Prize. Some excerpts of Solzhenitsyn's answers from the interview:
"The prize in 1990 was proposed not by Gorbachev, but by the Council of Ministers of the Russian Soviet Federative Socialist Republic, then a part of the USSR. The prize was to be for "The Gulag Archipelago." I declined the proposal, since I could not accept an award for a book written in the blood of millions.
...I have grown used to the fact that, throughout the world, public repentance is the most unacceptable option for the modern politician.
....Vladimir Putin -- yes, he was an officer of the intelligence services, but he was not a KGB investigator, nor was he the head of a camp in the gulag. As for service in foreign intelligence, that is not a negative in any country -- sometimes it even draws praise.
....Only an extraordinary person can turn opportunity into reality. Lenin and Trotsky were exceptionally nimble and vigorous politicians who managed in a short period of time to use the weakness of Kerensky's government. But allow me to correct you: the "October Revolution" is a myth generated by the winners, the Bolsheviks, and swallowed whole by progressive circles in the West.
....However, when you say "there is nearly no opposition," you probably mean the democratic parties of the 1990s. But if you take an unbiased look at the situation: there was a rapid decline of living standards in the 1990s, which affected three quarters of Russian families, and all under the "democratic banner." Small wonder, then, that the population does not rally to this banner anymore. And now the leaders of these parties cannot even agree on how to share portfolios in an illusory shadow government."
Solzhenitsyn has never been a voice of liberalism or even Russian nationalism in the traditional pan-Slavic, imperial and chauvinistic sense the term is usually meant. Rather he has propagated Russophilism, even to the extent of using archaic Russian words without modern foreign antecedents, when possible, in his writings. Solzhenitsyn's emphasis on the unique cultural and spiritual traditions of old Russia is one that excludes other peoples - including those like Jews and Ukrainians- who have been deeply intertwined with or innately part of Russian history.
Part of Solzhenitsyn's thunderous moral denunciation of the monstrosities of the Soviet system were because of the ruin of the old Russian patrimony under the profoundly alien doctrines of Communism, a Western import. I would not be surprised if Solzhenitsyn traced the origin of Russia's sad history to Peter the Great as much as to Vladimir Lenin.
Der Spiegel recently had an interview with Aleksandr Solzhenitsyn ( hat tip to M. Gemmill). At 88, Solzhenitsyn has lost neither his mental acuity nor his uncompromising vision of Russia that made him the most feared of dissidents by Soviet leaders, until his expulsion from the USSR in 1974, four years after being awarded the Nobel Prize. Some excerpts of Solzhenitsyn's answers from the interview:
"The prize in 1990 was proposed not by Gorbachev, but by the Council of Ministers of the Russian Soviet Federative Socialist Republic, then a part of the USSR. The prize was to be for "The Gulag Archipelago." I declined the proposal, since I could not accept an award for a book written in the blood of millions.
...I have grown used to the fact that, throughout the world, public repentance is the most unacceptable option for the modern politician.
....Vladimir Putin -- yes, he was an officer of the intelligence services, but he was not a KGB investigator, nor was he the head of a camp in the gulag. As for service in foreign intelligence, that is not a negative in any country -- sometimes it even draws praise.
....Only an extraordinary person can turn opportunity into reality. Lenin and Trotsky were exceptionally nimble and vigorous politicians who managed in a short period of time to use the weakness of Kerensky's government. But allow me to correct you: the "October Revolution" is a myth generated by the winners, the Bolsheviks, and swallowed whole by progressive circles in the West.
....However, when you say "there is nearly no opposition," you probably mean the democratic parties of the 1990s. But if you take an unbiased look at the situation: there was a rapid decline of living standards in the 1990s, which affected three quarters of Russian families, and all under the "democratic banner." Small wonder, then, that the population does not rally to this banner anymore. And now the leaders of these parties cannot even agree on how to share portfolios in an illusory shadow government."
Solzhenitsyn has never been a voice of liberalism or even Russian nationalism in the traditional pan-Slavic, imperial and chauvinistic sense the term is usually meant. Rather he has propagated Russophilism, even to the extent of using archaic Russian words without modern foreign antecedents, when possible, in his writings. Solzhenitsyn's emphasis on the unique cultural and spiritual traditions of old Russia is one that excludes other peoples - including those like Jews and Ukrainians- who have been deeply intertwined with or innately part of Russian history.
Part of Solzhenitsyn's thunderous moral denunciation of the monstrosities of the Soviet system were because of the ruin of the old Russian patrimony under the profoundly alien doctrines of Communism, a Western import. I would not be surprised if Solzhenitsyn traced the origin of Russia's sad history to Peter the Great as much as to Vladimir Lenin.
Labels: ancient history, authors, Communism, russia, solzhenitsyn, soviet union, vladimir putin
¶ 7:46 AM 3 comments
Tuesday, July 24, 2007
HAIL CAESAR
I just finished Caesar: Life of A Colossus by the military historian Adrian Goldsworthy and found it to be a remarkably worthwhile read from which I learned much about Julius Caesar the commander, yet the flanking movements by Gaulish cavalry and Triplex Acies of the Legions do not overwhelm Goldsworthy's portrait of Caesar the man and populares politician.
Goldsworthy succeeds in breathing life into a figure about whom so much cultural and historical commentary has been encrusted, often to the point of distortion. Caesar is a dynamic and charismatic figure in this biography but also a calculating and, at times, overconfident and reckless one. Goldsworthy is sympathetic to his subject but remains critical of Caesar's errors and propaganda while trying to keep all events in their proper 1st century BC context.
The biography does not have quite the same social and cultural richness of the late Roman Republic to be found in Tom Holland's Rubicon ( which was a work of history) but there are gems of information for the reader, nonetheless . Other useful companions to Goldswothy's effort would be Anthony Everett's biographies Cicero and Augustus, especially the former book given the importance of the brilliant but unsteady Marcus Tullius Cicero as Caesar's sometime rival, ally, critic, adviser, enemy and companion.
An excellent read.
ADDENDUM:
"Heather — The Fall of the Roman Empire", "Ward-Perkins — The Fall of Rome and the End of Civilization" by James McCormick at Chicago Boyz
I just finished Caesar: Life of A Colossus by the military historian Adrian Goldsworthy and found it to be a remarkably worthwhile read from which I learned much about Julius Caesar the commander, yet the flanking movements by Gaulish cavalry and Triplex Acies of the Legions do not overwhelm Goldsworthy's portrait of Caesar the man and populares politician.
Goldsworthy succeeds in breathing life into a figure about whom so much cultural and historical commentary has been encrusted, often to the point of distortion. Caesar is a dynamic and charismatic figure in this biography but also a calculating and, at times, overconfident and reckless one. Goldsworthy is sympathetic to his subject but remains critical of Caesar's errors and propaganda while trying to keep all events in their proper 1st century BC context.
The biography does not have quite the same social and cultural richness of the late Roman Republic to be found in Tom Holland's Rubicon ( which was a work of history) but there are gems of information for the reader, nonetheless . Other useful companions to Goldswothy's effort would be Anthony Everett's biographies Cicero and Augustus, especially the former book given the importance of the brilliant but unsteady Marcus Tullius Cicero as Caesar's sometime rival, ally, critic, adviser, enemy and companion.
An excellent read.
ADDENDUM:
"Heather — The Fall of the Roman Empire", "Ward-Perkins — The Fall of Rome and the End of Civilization" by James McCormick at Chicago Boyz
Labels: adrian goldsworthy, ancient history, biography, book, historians, historiography, history, julius caesar, military history, roman empire, war, warriors
¶ 1:03 PM 2 comments
